Nobel laureate Elie Wiesel is visiting Chapman University this week as part of his role as Presidential Fellow and teacher and work with the Rodgers Center for Holocaust Education. In fact, Wiesel, who is 85 years old, told Chancellor Daniele Struppa, a mathematician who deeply appreciates literature, to never give up teaching because students are the world’s “future teachers, guides, healers.” Yesterday’s Q&A between Struppa and Wiesel, however, focused on stories, memory, and writing, so we share our recap here at Lofty Ambitions.
“There are so many sources and resources for more stories and more stories.” Wiesel’s energy is incredible, and he has written 60 books, the first of which was published in 1958. For him, writer’s block or the lack of subject matter or ideas falls completely beside the point of the writing life. That said, he didn’t start writing La Nuit until a decade after that events had taken place. “I needed ten years of silence,” he says, “to think about those lives.”
“The quest for more knowledge, more knowledge always—” This statement explains Wiesel’s attraction to books as a reader and as a writer. The point of writing, for him, is to bring knowledge into the world, to share knowledge among humanity. That’s a grand and wonderful goal for any writing life because it sets the bar high and gets the writer out of her own head, her own needs.
“How to bring matter to life—” That’s the big question for Wiesel as a writer. Pages speak to him, and words come alive. He goes so far as to say, with a sly smile, “Words that don’t come alive shouldn’t be uttered.”
“I write for four hours a day. Every day. Except Sabbath.” Wiesel takes this daily habit seriously and credits it for his productivity. He is a writer, and a writer must do the writing, do a lot of writing and revising.
“The mystery of the beginning and the mystery of the end” are Wiesel’s greatest challenges as a writer. Even if he has a story to tell, even with the many sources and resources for more stories, where a story begins and ends—the first and last pages—remains a mystery until the writer figures it out.
“When you write, you are a conductor.” Wiesel thinks of himself as a conductor of character, setting, words. Conduct means to bring together, and, indeed, that’s what a writer does as he writes, weaving together words, sentences, story elements as a complete whole.
“If I want to write, I have to go deep down in my memory.” For Wiesel, the individual memory is connected to the collective memory. His writing represents his individual perspective and story and also becomes part of the collective perspective and story. Memory is Wiesel’s greatest source, though he also speaks of imagination—what if?—as his greatest resource.
“I look into the mirror only to brush my teeth.” And he brushes his teeth as quickly as possible so as not to stand long in front of the mirror. Wiesel proclaims a purposeful lack of self-awareness of his physical image, noting that he will walk out the door not knowing whether he is wearing a tie or not. Preening is not writing, and writing is not merely performance.
“The birth of something that didn’t exist before—” Though Wiesel talked of personal relationships in these terms, this notion captures the goal of writing. In fact, this notion may be a profound explanation for any human life, any lived life. “Think higher,” he advises. What is it that each of us can create that did not exist before?
To read our post about Elie Wiesel’s Q&A about writing last year, click HERE.